BASABTFASHIONDESIGNER TRAINING & DESIGN CENTER

THE BASABT FASHION DESIGNER

TRAINING & DESIGN CENTER

Krishna Veni Reddy

ADDRESS : HOUSE NO. 1- 234/5. KOVVADA, A.P. MEDICAL HOUSING BULDINGS, KAKINADA –  533 006.

CALL :+919542907677{ FOR MORE INFO}
TIME:10AM TO 3PM FOR ENQUIRIES AND REGISTRAT

http://basantfashions.blogspot.com

basantfashions@gmail.com  

http://basantcosmetics.blogspot.com

basantbeautycosmetics@gmail.com

 

QUALIFICATION:

PRODUCTION AND EXPORT OF FASHIONABLE GARMENTS 2003.

AT  NATIONAL INSITUTE OF FASHION TECHNOLOGY(MINISTRY OF

TEXTILES,  GOVT. OF INDIA) A COLLEGE OF DESIGN,MANAGEMENT &

TECHNOLOGY OPP.HITEC CITY, MADHAPUR,  YDERABAD – 500 003.

DIPLOMA IN PATTERN CUTTING MASTER COURSE – 2006.

THE APPAREL TRAINING & DESIGN CENTER

(Sponsored by AEPC, Govt of India, Ministry of Textiles)

Survey NO. 64, Near Cyber Towers Madhapur,

Cyberabad,  Hyderabad  –  500 081.

Telephone : 040 23112155, 56

IPR WORKSHOP ON  “BASTRA WROUGHT CRAFT ”. 28.10.2003.

AT NATIONAL INSITUTE OF FASHION TECHNOLOGY(MINISTRY OF

TEXTILES, GOVT. OF INDIA) A COLLEGE OF DESIGN,MANAGEMENT &

TECHNOLOGY . OPP.HITEC CITY, MADHAPUR,  YDERABAD – 500 003.

Thanks to the members of office staff & workers of

THE BASABT FASHION DESIGNER

TRAINING & DESIGN CENTER

Thanking you,

Krishna Veni Reddy

PATTERN MAKING

Pattern making is the making of patterns for all the components four garments. (Such as fabric lining fusing facing) which have to be cut in for a garments.

PATTERN:

Pattern is a replica of a garment so as to produce or manufacture a Garment.

GARMENTS:

 A garments is a three dimensional product, where as the raw materials (fabric ect…) are two dimensional so as to convert the fabric in to a three dimensional product, we need to introduce the depth and fullness to the fabric in specific are a in order to get proper fit the body this process is done with the help of pattern making.

Generally patterns are not made by tailors because they produce two or three garments different design and styles where in apparel manufacturing mass producing us need to repeat the same design and style several times, so it is important to make patterns and retain (preserve) for several uses.

PATTERN MAKING IS BASICALLY DIVIDED IN TO TWO METHODS

1)     Draping method.              2) Drafting or flat method.

DRAPING METHOD:  Bulk production as the word implies is draping or wrapping the fabric a round the model or the dress from: according to the designers sketch.

DRAFTING OR FLAT METHOD: It is system of patterns making which incorporate the series of from or figure measurements to complete paper patterns.

DIFFERENT TYPES OF DRAFTING & DRAPING

S.No	Drafting	S.No	Draping
1	Cannot be used for bulk production.	1	It is used of for bulk production.
2	Directly fabric is drafted on the dummy (Dress form) according to the sketch.	2	It required a variety of pattern papers.
3	A does not incorporate any form or measurement.	3	It required a series of from of or figure measurement to complete paper pattern.

Their designers when draping pattern use different types of patterns.

1)     Basic block / Block pattern.

2)     Tread block / Working pattern.

3)     Master black / Final pattern / production block

The process is tailors do not make don with the help of pattern making generally patterns because they predeceased two or three garment to different design and style. Where in apparel manufacturing mass production we need to repeat the same design and style several times so it is important to make pattern retain (preserve) for several uses.

1) BASIC BLOCK: The basic pattern is a pattern which is used as basic for all adoptions the block pattern is traced or wheeled on to pattern paper to produce the working patterns.

2) TRADE BLACK: The working pattern is the pattern, which is used for making out the basic style lines and design features.

3) MASTER BLOCK: Master block is the production pattern is a pattern form which the garment will be cut (seam allowance) in side the pattern (extra cloth) out side.

Basic pattern is five-peace pattern set.

Ø     Front & back to Bodice.

Ø     Front & back skirt.

Ø     A long sleeve

PATTERN MAKING TERMS

1) PATTERN DRAFTING: The systems of pattern making that depend on a series of from or figure measurements to complete the paper pattern.

2) PATTERN DRAPING: A two-dimensional piece of fabric (muslin) draped or around a form of or a shape (arranged artistically according to design) creating a three-dimensional fabric pattern and this muslins pattern is transferred to paper.

3) BASIC PATTERN SET: It is a five piece pattern set consisting of a front and back bodice, front and back skit and along sleeve it is seam less and developed with out design features only is allowance is added. It is used for creating working pattern.

4) LIND MARK: Lind marks are designated paints around the body that corresponds with those on the form that are used for measuring the body sections when drafting and draping.

5) DOT MARK: It is pencil mark which is indicating specific point as the pattern or muslin cloth (Draping).

A series of dot marks are connected to out line a shape or line on the pattern or muslin.

6) TRUEING: Straightening of pencil lines cross marks and dot marks for the purpose of establishing correct seam length. Example: Truing site seam / or waist seam having a side dot / or waist dart.

7) BLENDING: Blending is a process of smoothing shaping and rounding of angular lines.

8) BUST PAINT: A designated place on the bust and pattern.

9) APEX: The highest location of a mound.

10) BALANCE LINE TERMS: Balance lines 4 types.

        (1) Fabric balance and design balance: this depends on how the fabric appears in the finished garment i.e the fabric design which on the right side as same on the left side.

        (2) Figure balance: the garment pattern, should be made according to the shape of the figure if the figure deformities are not incorporated in pattern it will lead to poor figure balance.

        (3) Pattern balance: Finding and adjusting the differences between joining pattern parts to improve the hang fit of the garment.

        (4) Garment balance: Garment balancing is process of matching to components to establish grain line sleeve length or flay of fullness introduced.  

(5)Tools: (Instrument) tools -à Awl: aw it is an

1.    Awl: Instrument which is used for piercing -à Hole which will indicate pocket placement button hole & button placement.

2.    L: Square it is available in metal or plastic which is helping in daring 90° angle it is also called as tailors square with two arms.

3.    French curve: it is one of the several curves used for shaping arum holes and neck lines.

4.    Hip curve / Ruler curve: this is used for shaping hip, hem, E/ blow levels. ( Coat – coat neck caller)

5.    Tracing wheel: it is plastic or Mattel with handle used for tracing / transporting muslin pattern.

6.    Weights: Metal with handle for industrial used to hold pattern in notches.

7.    Notches: Notches cut ¼ inch to ⅓ inch notch which indicates seam advance dot width plot width center lines they are available in “U” and “V” shapes.

8.    Measuring tape: Metal tipped linen or plastic for measuring form or figure.

MESURMENT SYSTEMS

Different systems for pattern making

1.     Measuring directly from the human body :  under this system all measurement are taken directly from the human body this measurement’s are for individually figure’s.

2.     Measuring from the industrial form: in this method all measurements are taken from the dress form.(dummy) taking measurement from the from is mostly adapted in approved section. In recent development different size dress form are available so it is easy to take measurement for different countries dress form.

3.     Measuring from garment or measurement chart in apparel units they would have fallow the garment measurement or S.P.E.C. (Specification chart) Measurement this spec measurements denotes as different size measurement’s like. Example: small(S), Medium(M), Large (L), Extra large (XL), XXL so it is important to learn to how to measurement the garment while doing the paper pattern for the garment.

4.     Instead of taking all measurement from the body the measurement are calculated from any one in proportionate methods. Example : chest the measurement system the measurement are calculated from the height and width of necessary to study the figure theory in this system the anatomy of human body part is divided into 8 equal parts. Each part is equal to the height of the head actually they it is 7 ½ only but far easy calculation. It is calculated 8 head’s and is measured from hair to standing tip toe. Position.

FORMULA

1.      Draw a vertical line applying waist length measurements draw a horizontal line applying CH/2 as ease allowance then down the pattern.

2.      Then divide the s & u are in to half far applying back & front measurement separately.

3.      Draw a chest line applying CH/4 formula.

 Apply Sh/2 formula on shoulder line for back 2 front bodies then again square down as shown in drafting.

4.      Again apply N/6 + 1 cm on shoulder line as neck width for back and front bodies separately.

5.      Apply 2 cm as back neck drop on CB line & N/6 + 1 cm as front neck drop on CF line.

6.      Connect neck width and drop paints with smooth curviness for back and front bodice.

 Apply CH/24 formula as shoulder shape far back and front bodice.

7.      From the shoulder shape to the chest line bind the mid point and drown arm hole curve far back body.

8.      And the front body again from the shoulder slope to chest line find the mid point and come in aside by 1 cm then draw front arm hole curve as shown in drafting.

9.      Give pattern information i.e. CB/CF/SS etc… and again line.

10. Finally show the pattern, which has to be cut into continuous line other base lines in to broken lines.

  1) Thread Stand  2) Thread guides  3) Tension post  4) Take up leaver

  5) Take up leaver guide  6) Needle bar  7) Needle  8) Finger guard

  9) Presser foot  10) Presser regulator 11) Hand lifter 12) Feet dog

13) Throat plate  14) Knee lifter  15) Oil sight window 16) Stieh regulator

17) Rivers feed liver 18) Bobbin winder base 19) Hard wheel 20) Belt

21) Belt guard 22) Head recest 23) Oil tank  24) Oil filter 25) Hook set

26) Bobbin 27) Bobbin case  28) Wick 29) Feed crank 30) Oil indicators

31) Motor  32) Motor pulley  33) Peddle (presser by foot)

DDC          :       Model number, Single needle

DDL          :       S.N 5530           “A” – Light

L.H           :       Double needle    “N” – Light

M.D          :       Over Lock          “H” – Heavies

Sewing : it is a process where fabries is going to be stiched with the help of top and bottom thread with needle from top and book or looper etc…    (Respectively).

History of sewing machines :- Sewing machines concept of plan as be implemented by a london basis scientist Thomas saint in the year 1970 elias. Howe mechanical engineer from America From design last stich machine in the year 1834.

W.G willsian from America developed and modified last stich machine in the year  1836. borth lommiear thimmorier of france invented chanee stich machine 1940.

Tssac M. Singar of ammerica found the general from of sewing machine in the year 1851 in olden days people use to stich fabric by hand with the help of needle and thread after a few years people from expose to modern world and started to research and invent sewing machines. During the year 1900 with advance techniques and technical improvement on the sewing machines people invented sewing machines from different sewing machines button whole, button stitch etc… this machine operated by technology improve all over the world rich country started manufacturing different types of sewing machine in Indian we manufacture different types of sewing machine in Indian we manufacture different types of domestic sewing machine.

TYPES OF SEWING MACHINES

1) Domestic sewing machines.      2) Industrial Sewing machines

S. No	Domestic sewing machines	S.No	Industrial Sewing machines
1	Used at Houses and Tailor shop	1	Used at garments factory
2	Less productive machinery (Ex: 8,10 Garments per day)	2	High and mess productive machines.( Ex : up to 80 – 100 Garments per day)
3	Less Quality and accuracy	3	High Quality and Accuracy
4	Cheaper in price	4	Expensive in price
5	Low speed machines (800 8 PM)	5	High speed machines (up to 5,500 SPM)
6	Operated manually (Ex: USHA, VIDYA,SINGER)	6	Operated by electrical power. ( Ex: JUKI, BROTHER)

TYPES OF INDUSTIRIAL SEWING MACHINES

1) lock stich machine.      2) Chain Sewing machines

    last stitching machine      Chain stitch machine

S. No	lock stich machines	S.No	Chain Sewing machines
1	Machines one used to stich erlour, pockat, and ruff	1	Machines are used to stich shirt sides sleves, throvesed etc…
2	At both sides of the fabric we get simitar type of stich ( elat type of stiches)	2	We get top of the fabric flat type of the stiches and bottom chine type of the stiches.
3	In this Individual stiches gets inter lock	3	In this individual stiches gets inter linked.
4	Difficult to remove the stiches.	4	Easy to remove the stiches
5	Bobbin and bobbin case are used to feed battam thread (Single needle, dubble needle, bottom hole etc…)	5	Only lopers are usedto feed button thread (Over lock bbat lock etc..)

STEPS OF STICH FORMATION

Needle coming down : in the beginning needle bar with needle comes down and take up lever puts the thread tight ( down)
Needle going up : Needle goes up take up lever helps to realease the thread freely and thread and thread forms a loop ( Balloon shape)
Hook tip : catching the needle when needle bar goes up thread forms a loop in this condition hook tip come to the centre of the needle scart of sharter group and it catches the needle thread further bobbin case thread passes inside the needle and gets locked with each other.
Stich formation of fabric: the continuous process of above side function makes stich formation and stich lenth depends up on the feed dog moment and by the stich length regulated. Thread regulator stiches depends upon feet dog height.

DIFFERENT MANUFACTURES OF GARMENT MACHINERIES

Juki, brothr, siger, Yamato, siruba, Durkopadller all types of sewing machines.

Washima Eastman     : Cutting machines

Ngaishing  Ramsans  : finishing machines

Harshima  Haffman   : fusing and pressing machines

Schareffer or prym    : butting and relelting machines

Doruda  thajima       : Embroidary Mechines

J.T. ( Gerper Technology) cod/ Mechines )

Computer aided design )

Arrow : Spotgun to remve stains

Pegases : overlock machine flat lock machine Preberable for knit fabbic

Torkapp adler recce : Kney loke ( Hightet button hole machine)

Union special  Kansai special : Frent placket waste bond loop making and special purpose machines

Toncllo bowe : washing machines.

 Process in the Industry

1)     Textile Unit : manufactures of basic

2)     Garment unit : manufacture of basic

3)     Buyer : who gives the order

Departments in Garment Unit

1)     Stores Department: In this department fabric, buttons threads machine parts and stationary items etc… are kept in stop.

2)     Cutting and fusing Department: the fabric is cut according to the required length depended of knit size.

3)     Production ( Sewing) Department :

4)     Quality and inspection Dept

5)     Finishing Dept

6)     Packing and Dispatch dept

7)     Administration dept

8)     Maintenance dept

9)     Explantation of individual dept

i)       Stores Department: In this department fabric, buttons threads machine parts and stationary items etc… are kept in stop.

ii)     Cutting and fusing Department: the fabric is cut according to the required length depended of knit size.

iii)   General types of cutting machines : Straight knife machine : this machine is hawing roller bearings at the bottom of the machine and easily moves on the cutting table Its available in six inches 8 in 10, 11 ½, inches knife size and it 18 connected to electrical motor.

iv)   Band knite meclie this is a big machine with circular blade rumming on theree balancing wheel which are driven by a motor.

The fabric has to moved on the table.

INTRODUCTION 

Jackets are basic items of outerwear work by women.

The styles are disting used by the height, width silhouette cuts and details 

They must fit with more ease to accommodate clothes worn underneath.

Coats and blazers are also called jackets because they worn as out wear’s the difference between jackets blazer of coat. 

Jackets are worn up to waist level or above waist level coats are shot then the jackets up to length and blazer in long sleeved jacket with lapels. 

Jackets are in available in traditional wool or wool blends out door – ski anorak in performance fabrics such as micro fibers leather and fares also in denim Jens materials.

OBJECTIVE OF THE PROJECT

My object behind this project to lean the denim jacket construction, which is very difficult.

To fain various different types of jackets available nationally and inter national 100 % Jens denim lightweight stown washed denim. 10 Metal shank buttons, front and back yoke two front flop pockets with metal shank buttons closure, reinforced buttons hales, single needle stitching two stash waist pockets    

METHODOLOGY 

Preparing patterns for the denim Jens panel jacket and trouser. 

Preparing costing flowchart operation bulletin lay planning etc. 

Searching to the Jeens denim material in the market. 

Demand for the jeens jacket and trouser in the market by asking the people 

DESIGNS ANALYSIS ( SIZE)
1	Style	1	Jacket and Trouser
2	Quality	2	Jens Material
3	Front Pocket	3	Two Front Pockets in seam pockets.
4	Loop	4	At button Ballet
5	Plackets	5	Two placket extensions on both front Panels.
6	Sleeves	6	With two panels four piece
7	Cuff	7	Flat caller
8	Flat Caller	8	Front and back and sleeves with cuff
9	Quilting	9	Two panels
10	Trouser	10	Two Side Pockets
11	Front Pockets	11	“ V ” Shape Pockets
12	Back Pockets	12

CASTING OF GARMENT

S.No	Material	Quality Meter/ Cm	Unit Price (Rs)	Total Price(Rs)
1	Thread Speed Polyester	2	4:00
2	Paper fusing for belt	2	5:00
3	Zipper “ S ”	1	5:00
4	Buttons		:00	:00
S.No	Add production cost	Quality Meter/ Cm	Unit Price (Rs)	Total Price (Rs)
1	Pattern making	-	-	-
2	Cutting	-	-	-
3	Sewing	-	-	-
4	Fabric		:00	:00

Jens Panel Jacket                  

S.No	Name of the component	Name of shell component
1	Front	6 Panels
2	Yoke	1
3	Back	4 Panels
4	Yoke	2
5	Sleeve	4 Panels
6	In seem Pocket	4 Parts
7	Flop	4 Parts
8	Cuff	4 Parts
9	Caller	2 Parts
10	Belt	2 Parts
	Total	35 Parts

JENS TROUSER

S.No	Name of the component	Name of shell component
1	Front	2 Parts
2	Back	2 Parts
3	Back Yoke	2 Parts
4	Side Pockets Facing / Backing	4 Parts
5	Fly	3 Parts
6	Back Pockets	2 Parts
7	Belt	2 Parts
8	Zipper	1 Parts
	Total	18  Parts

DENIM JACKET AND TROUSER DESIGN ANALYSIS

S.No	Front View	S.No	Trouser
1	2 Pockets At sides	1	Front two panels
2	2 Side Panels with curves shape	2	2 Side pockets
3	2 Center front panels	3	1 belt
4	2 Front yoke	4	Back panels
5	Inside view	5	Right side “ V ” Shape Pocket
6	Roiling on front back on evil distance	6	2 Roiling
7	Back view	7	Low are high temperature
8	1 Yoke	8
9	2 Side panels with shape curves	9
10	Sleeve	10
11	2 pieces sleeve with cuff	11

Jackets are also available in both classic and fashion styles various types of jackets available are given below.

1.    Shrug  2.  Botero 3.    Vest   4. Waist coat 5.    Double breasted                 6. Utility Jackets 7.    Duvet    8. Gilet 9.    Cardigam 10. Spencer

11.Denim   12. Bomber Jackets 13. Anorak 14. Wind cheater

15. Track suit  16. Cropped wadding 17. Parka  18. Quilted Duvet

19. Running Jackets   20. Bullet Proof Jackets 21. Team Sports 22. Base ball Jackets 23. Cnef Jackets  24. Zetterman Jackets (Denim Jackets)

KEYWORDS

ADULT, ALONE, BUTTON, CAUCASIAN, CLOTH, CLOTHES,

ADULT, ALONE, BUTTON, CAUCASIAN, CLOTH, CLOTHES, CLOTHING, COTTON, COUTURE, CRAFT, CREATIVE, CUTTING, DESIGN, DESIGNER, DRESS, DRESSMAKER, EQUIPMENT, FABRIC, FASHION, HANDICRAFT, HAUTE, HOUSEWIFE, MATERIAL, MEASURE, MODEL, NEEDLE, NEEDLECRAFT, NEEDLEWORK, ONE, PERSON, PIN, PRICK, PROFESSIONAL, REPAIR, SCISSORS, SERVICE, SEW, SEWING, SHEAR, SKETCH, SNIPPING, SPOOL, STUDIO, TAILOR, TAPE, TEXTILE, THREAD, TOOL, WORK

                                                                                                      

FASHION DESIGNING & DRESSMAKING TRAINING

WE TRAIN INTERESTED PEOPLE IN THE ARTS OF PATTERN DRAFTINGS, DESIGNING, MEASURING, AND CUTTINGS. WE BLEND THE WESTERN FASHION STYLES WITH OUR OWN KIND OF AFRICAN FASHION STYLE. ITS ALL ABOUT INNOVATION AND CREATIVITY.YOU WILL ENJOY THE PRIDE OF DESIGNING AND SEWING YOUR OWN CLOTHES,AND ALSO BECOME A PROFESSIONAL DESIGNER DEPENDING ON YOUR AIMS AND ASPIRATIONS. LOCATION: KRISHNAVENI REDDY

BASANT FASHION DESIGNER

HELLO EVERYONE,MY FANS,MY CLIENTS& LOVELY NIGERIANS, HOME AND ABROAD/ OUR FASHION LABEL OF TRENDSVIVI DRESSMAKING TRAINING HAVE TAKEN FASHION DESIGN INTO A HIGHER LEVEL IN THE FASHION INDUSTRY IN THE GLOBAL WORLD AND WILL HENCEFORTH BE CALLED BASANT FASHIONS,
THANKS FOR YOUR TIME AND ENCOURAGEMENT THROUGH THE YEARS, THANK YOU FOR SUPPORT..

FASHION DESIGNING & DRESSMAKING TRAINING: DO YOU WISH TO BE A HIGHLY CREATIVE DRESSMAKER WITH GOOD DESIGNING SKILLS?

HELLO EVERYONE, AM VIVI COUTURE FROM TRENDSVIVA HAUTE FASHION COMPANY LTD. I RUN A FASHION DESIGN COMPANY& DRESSMAKING TRAINING SCHOOL IN LAGOS,NIGERIA THAT DEALS BASICALLY WITH PRACTICALS, AND ARTISTIC INNOVATIVE DESIGNS. WE MAKE,TEACH HOW TO SEW NATIVE WEARS FOR BOTH MALE AND FEMALE,DIFFERENT STYLES OF SHIRTS,TROUSERS, SKIRTS AND EVENING GOWNS. OUR GOAL IS TO STRETCH YOUR IMAGINATION AND CREATIVITY THUS BRINGING OUT THE BEST IN YOU.
YOU WILL ENJOY THE PRIDE OF DESIGNING AND SEWING YOUR OWN CLOTHES, YOURSELF STARTING FROM YOUR LIVING ROOM AND ALSO YOU CAN DECIDE TO BE A PROFESSIONAL DESIGNER DEPENDING ON YOUR AIMS AND ASPIRATIONS,
AND GUESS WHAT? OUR TRAINING IS INTENSIVE & CHALLENGING,OUR FEES ARE AFFORDABLE& OUR

NOVEMBER 2006

BASANT FASHION DESIGNER : KRISHNAVENI REDDY

HELLO EVERYONE,MY FANS,MY CLIENTS& LOVELY NIGERIANS,HOME AND ABROAD/ OUR FASHION LABEL OF TRENDSVIVI DRESSMAKING TRAINING HAVE TAKEN FASHION DESIGN INTO A HIGHER LEVEL IN THE FASHION INDUSTRY IN THE GLOBAL WORLD AND WILL HENCEFORTH BE CALLED TRENDSVIVA HAUTE FASHION,
THANKS FOR YOUR TIME AND ENCOURAGEMENT THROUGH THE YEARS, THANK YOU FOR SUPPORT..

FASHION DESIGNING & DRESSMAKING TRAINING: DO YOU WISH TO BE A HIGHLY CREATIVE DRESSMAKER WITH GOOD DESIGNING SKILLS?

FASHION DESIGNING & DRESSMAKING TRAINING: DO YOU WISH TO BE A HIGHLY CREATIVE DRESSMAKER WITH GOOD DESIGNING SKILLS?

POSTED BY : KRISHNAVENI REDDY

DO YOU WISH TO BE A HIGHLY CREATIVE DRESSMAKER WITH GOOD DESIGNING SKILLS?

CALL :+919542907677{ FOR MORE INFO}
TIME:10AM TO 3PM FOR ENQUIRIES AND REGISTRATION

ABOVE ARE FEW SAMPLE OUTFITS WE MAKE FOR OUR CUSTOMERS. WE ALSO MAKE ASO EBI ,EVENING WEARS FOR DIFFERENT SOCIAL OCCASIONS. OUR STYLES ARE SIMPLE, WEARABLE AND UNIQUE; AND DEPENDING ON WHAT YOU ALSO WISH TO WEAR.

POSTED BY : KRISHNAVENI REDDY

BE A PROFESSIONAL FASHION DESIGNER FROM TRENDSVIVA HAUTE FASHION

HELLO, ARE YOU INTERESTED IN FASHION DESIGNING? THEN THIS IS WHERE TO BE.

AM KRISHNAVENI REDDY COUTURE I RUN A NEW FASHION TRAINING OUTFIT IN LAGOS THAT DEALS BASICALLY WITH PRACTICALS, AND ARTISTIC INNOVATIVE DESIGNS. WE MAKE,TEACH AND SHOW HOW TO SEW WESTERN AND NATIVE WEARS FOR BOTH MALE AND FEMALE,DIFFERENT STYLES OF SHIRTS,TROUSERS, SKIRTS AND EVENING GOWNS. OUR GOAL IS TO STRETCH YOUR IMAGINATION AND CREATIVITY THUS BRINGING OUT THE BEST IN YOU.

YOU WILL ENJOY THE PRIDE OF DESIGNING AND SEWING YOUR OWN CLOTHES, YOURSELF STARTING FROM YOUR LIVING ROOM AND ALSO CAN DECIDE TO BE A PROFESSIONAL DESIGNER DEPENDING ON YOUR AIMS AND ASPIRATIONS, AND GUESS WHAT? OUR TRAINING IS INTENSIVE & CHALLENGING,OUR FEES ARE AFFORDABLE& OUR LOCATION VERY ACCESSIBLE.

N.B: OUR TRAINING STARTS FROM THE VERY BASICS INTO THE INTRICACIES OF DESIGNING, MEASURING, PATTERN DRAFTINGS, CUTTING, SEWING AND FINISHINGS. YOU ARE WELCOME TO A GREAT INTERESTING CAREER FILLED WITH GREAT POSSIBLITIES AND GREAT IDEAS.

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